Leave it to typography to stop me dead in my tracks ... despite the rain. Despite being on my way to a party at a New York museum to meet other designers. I had to move fast to catch this bus before it was gone; and the real truth behind this photo is I immediately e-mailed it back to my junior designer, Laurie, who turned me on to Showtime's Dexter just months previous. I knew she'd get a kick out it. Most of us designers are sucker's for faux magazine covers. For the instant gratification of using a resplendent and distinctive combination of text and type that just screams "__fill in the masthead__". Are we as serial as the cable killer in our grandiose imaginations? Looking back on this photo, taken Oct. 2008, I am seeing what a luscious mash-up of letterforms surrounds the subject. The art nouveaux shape of the Roxy; the compressed grotesque of the municipal fire lane; the modernity of the window graphic in the foreground. So much to take in. I remember the rain, and the prank. I had to rely on a snapshot to really see how much else I was missing. Including the continuity of type through the ages, both real and imagined.
Sunday, August 2, 2009
Dangerous Typography
Leave it to typography to stop me dead in my tracks ... despite the rain. Despite being on my way to a party at a New York museum to meet other designers. I had to move fast to catch this bus before it was gone; and the real truth behind this photo is I immediately e-mailed it back to my junior designer, Laurie, who turned me on to Showtime's Dexter just months previous. I knew she'd get a kick out it. Most of us designers are sucker's for faux magazine covers. For the instant gratification of using a resplendent and distinctive combination of text and type that just screams "__fill in the masthead__". Are we as serial as the cable killer in our grandiose imaginations? Looking back on this photo, taken Oct. 2008, I am seeing what a luscious mash-up of letterforms surrounds the subject. The art nouveaux shape of the Roxy; the compressed grotesque of the municipal fire lane; the modernity of the window graphic in the foreground. So much to take in. I remember the rain, and the prank. I had to rely on a snapshot to really see how much else I was missing. Including the continuity of type through the ages, both real and imagined.
Labels:
advertising,
analysis,
magazines,
posters,
travel,
typography,
weather
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